What's missing from campus "culture wars" coverage

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By Made by History / Produced by Olivia B. Waxman

As students across the U.S. return to college, the rest of the nation will be watching. Americans have become accustomed to a steady stream of news about a narrow subset of students at usually elite institutions, their protests, and their colleges' responses to them. And with the presidential campaigns in full swing this fall, we can expect to hear even more about the college campus.

But as Adrian Daub writes for Made by History, this tendency by the media, pundits, and politicians to pay outsize attention to what goes on at a handful of leafy university campuses is actually quite odd. What goes on there isn’t representative of America’s college students, and we tend to pay attention only to campus "culture wars"—not the underlying economic shifts that have shaped higher education and students’ lives. Yet, stretching back to the 1960s, the activities of college students have occupied our imaginations, and provided a steady stream of fodder for reactionary politics. Writers, pundits, commentators, and others painted a picture of “the campus” as invariably diminished from some previous point in time, marred by the actions of student radicals, leftists, feminists, and more. But the more we pay attention to this version of “the campus” the less we really understand about what goes on there.

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FROM THE TIME VAULT

This week in 1953: Audrey Hepburn


Boris Chaliapin
The Sep. 7, 1953, cover of TIME

“Audrey Hepburn fits none of the clichés and none of the clichés fit her. Even hard-boiled Hollywood personages who have seen new dames come & go are hard put to find words to describe Audrey. Tough Guy Humphrey Bogart calls her ‘elfin’ and ‘birdlike.’ Director John Huston frankly moons: ‘Those thin gams, those thin arms and that wonderful face…’ Director Billy Wilder, who is slated to direct Audrey’s second picture (Sabrina Fair), contents himself with a prophecy: ‘This girl, singlehanded, may make bosoms a thing of the past.’”

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MILTON GLASER
The Sep. 7, 1970, cover of TIME

“The strain became too great, and after seven years together, the two separated. ‘Marriage to Barbra was a fantastic experience,’ says Gould. ‘It had a lot of chocolate souffle and things like that, but it was also like a bath of lava.’ Says Barbra: ‘It must have been very difficult for him. Marriages between people who are self-involved is hard. It’s safer for actors not to be married to one another.’ Gould’s surge of success followed closely upon his separation from Barbra, and analysis has also seemed to add to his self-confidence. ‘It wasn’t until the day before yesterday that I stopped being a tortured individual,’ he says.”

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FRANCESCO SCAVULLO
The Sep. 7, 1981, cover of TIME

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